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Drop me off at 96th
by Derek Bailey
supported by 8 fans who also own “Llaer”
I've recommended this album as an ideal introduction to Derek Bailey's singular art for more than 20 years…what a pleasure it is to find it on Bandcamp, where I'm glad for the opportunity to purchase and recommend it anew. Tracks 1-3 find Bailey in characteristically flinty, mercurial form; in tracks 4, 6 & 7 you imagine him luxuriating in his instrument's warm, rich sound, and "Interlude" is one of his priceless accompanied chats. Consistently brilliant, with surprises throughout.
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London 1993+1992
by Derek Bailey+John Stevens
supported by 7 fans who also own “Llaer”
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Duo (Bologna) 2018
by Anthony Braxton & Jaqueline Kerrod (IDA 039 – 2020)
supported by 6 fans who also own “Llaer”
Superb. What seems an implausible combination of instruments is in fact a great showcase for AB's sinuous saxophones. JK's harp sounds like a particularly rich guitar and her playing is virtuosic. Personally I think Anthony Braxton is at his best in these more intimate settings. This will likely be on my top ten list at end of year.
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dormant, I lay.
by Helen Svoboda
Double bassist Helen Svoboda draws connections between contemporary classical and improvised jazz across a new LP, recorded during lockdown.
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No Preview
by Hannya White
Stark and fascinating analog synth songs cross-wired with crazy rhythms & spoken word to disorienting effect.
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We are Strong
by Saadet Türköz & Beat Keller
Turkic Uyghur avant-garde artist Saadet Türköz collaborates with Swiss guitarist Beat Keller to explore the rich world of Uyghur folk music.
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live at the Adelphi Leeds 08/11/1996
by Derek Bailey+the XIII Ghosts
supported by 6 fans who also own “Llaer”
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